dearly beloved,
Posts tagged mp3
Mark Ronson & the Business Intl.
Oct 23rd
I really like Mark Ronson’s new album Record Collection – funky, bouncy, and upbeat. Great party starter. Check out my two favorite tracks -
Mark Ronson & the Business Intl – Record Collection (ft. Simon Le Bon) (right-click to d/l)
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Mark Ronson & the Business Intl – Bang Bang Bang (ft. Q-Tip, MNDR) (right-click to d/l)
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
New Kanye West – “Power”
May 29th
“I don’t need your pussy/cause I’m on my own dick.”
MP3: Kanye West – Power (right-click to d/l)
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Pendulum Explode Your Eardrums With “The Vulture,” “Set Me On Fire,” “Comprachicos”
May 27th
Pendulum is retro-post-apocalyptic. They’re the band you’d hear playing at a dance club down the street from the Thunderdome. I’d estimate that about 97% of the world would find their music completely unlistenable, as they Voltron a bunch of already frequently loathed genres into one huge anarchic clusterfuck. But if you’re in the 3% that’s been waiting for someone to make an album of DnB/trance/prog rock/industrial, well, you’ll want to pick up Immersion on June 8.
You can’t really call Pendulum innovators, because they rip off a lot of successful electronic bands pretty shamelessly. For example, “Comprachicos” – posted below – sounds just like Nine Inch Nails… except when it sounds just like The Prodigy. And their trance and DnB sections, on their own, would have sounded dated 5 years ago. But they use their influences wisely, and, like all great mash-ups, the whole turns out greater than the sum of its already-famous parts.
It’s some of the highest-energy music I’ve ever heard, and while there’s a good chance you’ll hate it, if you love it, you’ll really love it. Just… what the fuck’s up with the Trapper Keeper cover art?
MP3: Pendulum – Comprachicos (right-click to d/l)
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
MP3: Pendulum – Set Me On Fire
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Janelle Monae Mashes 8 Different Genres Into “Cold War” and “Oh, Maker”
May 25th
I don’t know who this woman is. It seems like she’s got a ton of buzz already, but I definitely missed the boat. And apparently she’s made a concept album about a hat? Or a robot wearing a hat? I’m lost. But I’m inclined to give her a shot, mostly because of that awesome cover art (I know I’m supposed to think of Fritz Lang, but it just reminds me of Rapture).
The first time through, it’s hard to get a read on ArchAndroid because it mashes so many wildly disparate genres together. You spend so much time trying to figure out what you’re hearing that you can’t really think critically about it. But it’s an instantly likable album, even on that first-listen-superficial level, because of its energy, its esotericism, and Janelle’s amazing voice.
The first two tracks that really caught my attention are “Cold War” and “Oh, Maker.” “Cold War” grabs the double-time drum groove from OutKast’s “Bombs Over Baghdad,” and replaces Big Boi/Andre’s mile-a-minute rapping with soaring verses and an anthemic hook. “Oh, Maker” sounds like the kind of thing you’d hear coming out of a phonograph in the 1930s, until a bouncy bass line and chill R&B drum groove kick in. It’s this really cool sandwich of pastoral retro-folk and modern hip-hop. If I’m making it sound like this is an album that fucks with genres just for the sake of fucking with genres, I’m doing it a disservice; have a listen.
MP3: Janelle Monae – Cold War (right-click to d/l)
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
MP3: Janelle Monae – Oh, Maker (right-click to d/l)
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.




Prog, Cont.
May 26th
Posted by Headphone Jack in Commentary
FUCK YEAH ROCK AND ROLL
Someone asked me to expand a little bit on the earlier post about prog: “You’re right about why I hate it, but you didn’t really explain why anyone would like it.” (Going forward, let’s assume that I’m talking about “bad” prog, i.e., really wanky shit with no artistic purpose beyond impressing the listener.)
As I mentioned in the last post, I do think that prog’s refusal to even attempt to elicit emotion is an important part of its appeal. It makes for some of the world’s best headphone-listening background music, because you can listen with half of your brain and still get everything the artist is saying. But I’ll admit that that’s not really a reason someone falls in love with a genre. It is the reason Dream Theater is one of my most-listened-to artists on long bus trips or the MTA – but it still leaves unsolved the mystery of Dream Theater’s (and Rush’s, and Queensryche’s, and Shadow Gallery’s) unwaveringly loyal fans.
Here’s my theory: It’s because all of those bands construct elaborate alternate musical realities that the listener is invited to inhabit. Both through the unerringly irrelevant subjects of their songs (numbers, galaxies, trees, etc.) and through their highly technical, superficially complicated music, prog bands create musical escapism. It’s no coincidence that the concept album is almost exclusively the domain of prog – its fans want to be told stories about other places. The reason prog is popular is basically the reason that fantasy books are popular. (It’s also no coincidence that those two fanbases overlap a lot.)
Now that still leaves the main question unanswered – why do people like escapism? – but that one’s way past me. Hopefully the fantasy book analogy makes prog’s appeal understandable, though.
Just for kicks, here’s the most comically bad-prog prog song I can think of. Enjoy! Or, more likely, don’t.
MP3: Jordan Rudess – Insectsamongus (right-click to d/l)
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.