dearly beloved,
New Music
Mark Ronson & the Business Intl.
Oct 23rd
I really like Mark Ronson’s new album Record Collection – funky, bouncy, and upbeat. Great party starter. Check out my two favorite tracks -
Mark Ronson & the Business Intl – Record Collection (ft. Simon Le Bon) (right-click to d/l)
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Mark Ronson & the Business Intl – Bang Bang Bang (ft. Q-Tip, MNDR) (right-click to d/l)
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New Kanye West – “Power”
May 29th
“I don’t need your pussy/cause I’m on my own dick.”
MP3: Kanye West – Power (right-click to d/l)
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Pendulum Explode Your Eardrums With “The Vulture,” “Set Me On Fire,” “Comprachicos”
May 27th
Pendulum is retro-post-apocalyptic. They’re the band you’d hear playing at a dance club down the street from the Thunderdome. I’d estimate that about 97% of the world would find their music completely unlistenable, as they Voltron a bunch of already frequently loathed genres into one huge anarchic clusterfuck. But if you’re in the 3% that’s been waiting for someone to make an album of DnB/trance/prog rock/industrial, well, you’ll want to pick up Immersion on June 8.
You can’t really call Pendulum innovators, because they rip off a lot of successful electronic bands pretty shamelessly. For example, “Comprachicos” – posted below – sounds just like Nine Inch Nails… except when it sounds just like The Prodigy. And their trance and DnB sections, on their own, would have sounded dated 5 years ago. But they use their influences wisely, and, like all great mash-ups, the whole turns out greater than the sum of its already-famous parts.
It’s some of the highest-energy music I’ve ever heard, and while there’s a good chance you’ll hate it, if you love it, you’ll really love it. Just… what the fuck’s up with the Trapper Keeper cover art?
MP3: Pendulum – Comprachicos (right-click to d/l)
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MP3: Pendulum – Set Me On Fire
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Janelle Monae Mashes 8 Different Genres Into “Cold War” and “Oh, Maker”
May 25th
I don’t know who this woman is. It seems like she’s got a ton of buzz already, but I definitely missed the boat. And apparently she’s made a concept album about a hat? Or a robot wearing a hat? I’m lost. But I’m inclined to give her a shot, mostly because of that awesome cover art (I know I’m supposed to think of Fritz Lang, but it just reminds me of Rapture).
The first time through, it’s hard to get a read on ArchAndroid because it mashes so many wildly disparate genres together. You spend so much time trying to figure out what you’re hearing that you can’t really think critically about it. But it’s an instantly likable album, even on that first-listen-superficial level, because of its energy, its esotericism, and Janelle’s amazing voice.
The first two tracks that really caught my attention are “Cold War” and “Oh, Maker.” “Cold War” grabs the double-time drum groove from OutKast’s “Bombs Over Baghdad,” and replaces Big Boi/Andre’s mile-a-minute rapping with soaring verses and an anthemic hook. “Oh, Maker” sounds like the kind of thing you’d hear coming out of a phonograph in the 1930s, until a bouncy bass line and chill R&B drum groove kick in. It’s this really cool sandwich of pastoral retro-folk and modern hip-hop. If I’m making it sound like this is an album that fucks with genres just for the sake of fucking with genres, I’m doing it a disservice; have a listen.
MP3: Janelle Monae – Cold War (right-click to d/l)
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MP3: Janelle Monae – Oh, Maker (right-click to d/l)
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Nicki Minaj’s Coming Out Anti-Party: “Massive Attack”
May 14th
Sean Garrett – responsible for “Yeah!,” “Run It!,” “Goodies,” and a bunch of other catchy but conventional chart-toppers over the last few years – has crafted an absolute house-smasher for up-and-comer Nicki Minaj. I’ll be honest, I don’t even like this song that much, but it’s worth hearing for the beat alone. It’s hard to parse, the first time through, because it’s got no backbeat or syncopation whatsoever. It’s just this crazy bass-heavy drum-circle mess. Pretty adventurous, and it complements Nicki’s aggression and fuck-you attitude well. So, in other words… definitely not a breezy summer jam, but it says good things about where Nicki wants to take her career.
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MP3: Nicki Minaj – Massive Attack (feat. Sean Garrett) (right-click to d/l)
The Hold Steady’s “Sweet Part of the City” – Different is Fine
May 10th
The Hold Steady’s new album, Heaven is Whenever – which I hope to write a longer review of pretty soon – is packed with their signature anthemic rock tunes. Tons of big hooks, great harmonies, and sweet solos. But the track I’ve really been hooked on is the opener, “The Sweet Part of the City,” and it eschews the arena-rock trappings for some relaxed slide and acoustic guitar. Craig Finn’s pseudo-spoken word delivery and articulate storytelling leave no doubt about what band you’re listening to, but it’s nice to hear this quieter side of the band before the album really kicks into full gear. Check out the track and look for a longer writeup later on this week.
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MP3: The Hold Steady – “The Sweet Part of the City” (right-click to d/l)
New Robyn: “Cry When You Get Older”
May 8th
I’ve had this song stuck in my head for a few days now. Really catchy, upbeat electro-dance tune, with a great hook that showcases Robyn’s amazing voice and delivery. I’d love to hear this on a dance floor. Unfortunately, it’s one of only three good tracks on Body Talk Pt. 1, and we’ve already heard the other two (“None of Dem,” “The Girl and the Robot”). As previously mentioned, Robyn is releasing three albums this year, and you can’t help but think that we could have had one amazing record instead of three mediocre ones.
Still, as long as parts 2 and 3 have more gems like “Cry When You Get Older,” I’m not going to complain too much.
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MP3: Robyn – Cry When You Get Older (right-click to d/l)
SNL Recap – Kesha, ICP
Apr 18th
This weekend’s Saturday Night Live had a couple things worth highlighting.
1. ICP “Miracles” Parody That I Don’t Like For Some Reason
I wonder if I’m getting defensive about ICP, and if so, what the fuck is wrong with me, but I was kind of bummed at the “Miracles” parody. The original was so goofy and charming that the SNL version somehow comes off as a little mean-spirited? Maybe? I don’t know. I’m feeling surprisingly conflicted about this music video from a band that I used to think consisted of the two least talented people on Earth. I mean look, don’t get me wrong, “Fucking magnets! How do they work?” is probably the funniest and dumbest lyric in the history of music, but Shaggy’s ultra-aggressive desire to plumb the mysteries of the universe has some charm to it, you know? Turning it into a 3-minute sketch rubs me the wrong way, and believe me, I’m surprised too.
2. Ke$ha Is An Elaborate Practical Joke That Lady Gaga Is Playing On Us
I see no other explanation for this.
B.o.B’s New Single: “Airplanes”
Apr 16th
Bobby Ray, aka B.o.B, is all of 21 years old, so when he raps about “[taking] me back to the day” in “Airplanes,” it’s like, Bobby, back in “the day,” you were eating cheerios one at a time in your high-chair, maybe cool it with the pining for bygone times, k?
B.o.B’s first LP, The Adventures of Bobby Ray, is due out on April 27, and hype is building to a fever pitch. I think a lot of people see this guy as the second coming of Andre 3000 – including, probably, B.o.B himself. You get the sense that this is the kind of guy who reads, religiously, his own press. So the “woe is me moneyzzzz has made me jaded” act strikes me, right off the bat, as a little disingenuous and tone-deaf.
On the other hand, I guess it’s possible that this kid, who’s been putting out EPs since 2007, actually has done enough “partyin’ and smashin’ and crashin’” to be tired of all that by the ripe young age of 21. And ever since Kanye, hyperbolic self-aggrandizement/garment-rending has been totally acceptable, as long as a) you’re self-aware and have a sense of humor about it and b) you have enough talent that the BS takes a back seat to your music.
So does he? Bobby’s definitely smart enough to take notes on Andre’s cross-genre appeal, enlisting “Twilight” soundtrack participant Hayley Williams (of Paramore) to sing “Airplanes’” very nice hook. And his flow is simultaneously relaxed and aggressive: he never sounds like he’s struggling to keep up, or trying to jam a rhyme into the right meter, but he attacks his lines with a rhythm and enunciation that reminds me of Biggie.
Check it out and decide for yourself if all the hype is deserved.
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MP3: B.o.B – Airplanes (ft. Hayley Williams) (right-click to d/l)







